Video · Baang

Bibi’s First Kisses

English finding aid for the Persian publication title.

A performed narrative returns to an older woman’s remembered youth while war empties the house around her.

Credited to
Ghazi Rabihavi · writer; Sima Polit · performer; Mohammad Heidari · recording; Abd · editing
Publication / collection
Baang
Source date
Journal publication · 17 September 2026
Original language
Persian
Format
Talking-head video with a printed narrative
Recorded duration
5 minutes 23 seconds · primary player metadata

Watch · YouTube · Baang

Watch the original.

Persian · 5 minutes 23 seconds · primary player metadata

Watch Bibi’s First Kisses (opens in a new tab)

Sima Polit’s complete performance runs about 5:23 and is available from Baang’s public channel stream. Persian captions are offered; their accuracy and alignment have not been independently verified.

Read beside it.

Read the printed narrative

The complete Persian narrative at Baang. The printed work is separate from a time-aligned caption file.

Captions, reading & access

An English guide to the publisher’s Persian narrative and recording metadata. The online publication dates remain separate from the unestablished recording date.

Read the narrative and open Baang’s video

A performer and a printed narrative

Baang presents the work as a talking head, with Sima Polit performing Rabihavi’s writing. The journal credits Mohammad Heidari for recording and names the editor only as Abd. Its channel description separately credits Baang for production and publication. These roles belong to this appearance. Source 1 · Source 2

The printed narrative places Bibi in a house that her family is leaving during war. She prefers her own mattress to the uncertainty of the journey. Through the damaged window, an olive-store scene opens onto youth and affection. The literary telling moves between the departing household and this remembered encounter. Source 1

Two appearances, distinct dates

Watching the First Kisses appears as the fifth piece in Baang’s Five Short Narratives of 20 April 2025. The later publication returns to the characters and scene under a different title, with changes in wording. The grouped story guide offers an earlier reading context without claiming identical text or a settled adaptation history. Source 3 · Source 1

The journal dates this appearance to 17 September 2026. The channel’s publication timestamp falls on the same date in UTC, and its player metadata reports 323 seconds. Those fields describe the online appearance. They establish neither a recording day nor the quality of the source’s caption track. Source 1 · Source 2

Availability & access

Available material
Baang’s publication prints the Persian narrative and links its own channel’s video. A source-player sample was checked on 4 October 2026; playback stays with Baang’s channel.
Reading / listening access
The printed Persian prose provides a written reading route. YouTube offers Persian captions in the player checked on 4 October 2026; their accuracy and alignment remain unverified. The printed narrative is separate from a time-aligned recording transcript.
Reproduction
The narrative and recording remain with their credited author, performer and publisher. Public access does not establish permission to reproduce either work.

Sources & credits

  1. Baang · Bibi’s First Kisses

    Publication of 17 September 2026, with Persian prose and a linked talking-head video. Credits writing to Ghazi Rabihavi, performance to Sima Polit, recording to Mohammad Heidari and editing only as Abd.

  2. Baang · Bibi’s First Kisses video

    Baang’s channel. Primary player metadata gives 323 seconds and publication at 06:39:33 UTC on 17 September 2026; the raw timestamp uses the preceding Pacific date. A playback sample and Persian caption option were checked on 4 October 2026. Caption accuracy and full-recording alignment remain unverified.

  3. Baang · Five Short Narratives

    The Persian group of 20 April 2025 contains Watching the First Kisses as its fifth piece. Characters and scene correspond to the later Bibi appearance, but its title and prose differ. This source does not establish an original collection or a formal adaptation credit.