Reading journeys · Ghazi Rabihavi

Follow a thread.

A book opens onto a conversation. A story finds another language. A play reaches another room.

Six ways through the writing and its record. Begin anywhere; each stop is a page of its own.

These are editorial reading routes. Publication, translation and performance credits stay with their individual records.

Abadan, and the war years.

A remembered childhood, the early collections, and later conversations about writing war.

A lamp and an open book on a southern rooftop, with palm silhouettes beyond.
Where the lamplight began · Imagined chapter painting
  1. Biography

    Where the stories began

    Abadan, family languages and his mother’s storytelling, as remembered in the childhood conversation.

  2. Conversation

    The voices of Abadan

    Maryam Foumani’s Aasoo conversation, published in December 2024. An English guide leads to the Persian interview.

  3. Collection record

    Palm Tree and Gunpowder

    The Persian collection and its Damoon imprint: summer 1359 in the Iranian calendar.

  4. Collection record

    Memoirs of a Soldier

    An early Persian story collection. The publication recollection remains distinct from a checked edition imprint.

  5. Conversation

    Literature and war

    Foumani’s conversation with Rabihavi took place in summer 2022 and was published by Aasoo in July 2023.

  6. Scholarship guide

    Before a single war narrative

    Amir Moosavi’s 2026 English article. This guide follows the academic metadata and abstract, with links to the full source.

Back to the threads

One story, several voices.

Follow Hofre from its collection record to a Swedish translation, a performed reading, and a critic’s response.

Loose blank pages held by stones on a garden table beneath soft green leaves.
Small pages, open air · Imagined chapter painting
  1. Collection record

    From This Place

    The Persian collection’s Mina edition is catalogued in Tehran, 1369 [1990]. Tavlan identifies it as Hofre’s source.

  2. Story guide

    The Hollow · Hofre

    An English orientation to the Persian story, keeping its later web appearances separate from the collection’s date.

  3. Translation guide

    Hålan

    The Swedish appearance in Tavlan, 2020, explicitly credits Forogh Hashabeiky’s translation from Persian.

  4. Publication guide

    Tavlan · the anthology

    The Uppsala anthology’s publication and translation credits, with a link to its institutional PDF.

  5. Recording guide

    Hofre · a reading

    Baha’oddin Morshedi’s Persian performance for Sedakhoneh, published 10 January 2021. The recording stays with its source.

  6. Critical reading

    Who kills whom?

    Hossein Ateshparvar’s Persian close reading, published by Baang on 16 March 2023. The interpretation belongs to the critic.

Back to the threads

A novel meets its readers.

Boys of Love through its publication history, named translations, critical responses and a French radio programme.

Three open unmarked books on a worn table, with garden light falling across their pages.
Three lives left open · Imagined chapter painting
  1. Work & editions

    Boys of Love · publication history

    Persian publications and translated editions share a work record while keeping their own dates, publishers and credits.

  2. Edition folio

    Boys of Love · in English

    Poupeh Missaghi’s English translation, published by University of Wisconsin Press in July 2024.

  3. Review guide

    A violin inside the upheaval

    Filip Noubel’s English review for Asymptote, 15 July 2024, responding to the English translation.

  4. Edition folio

    Les Garçons de l’amour

    The French edition from Serge Safran, 20 August 2020, translated from Persian by Christophe Balaÿ.

  5. Selection record

    Prix Médicis · second selection

    The French novel appears in the second foreign-novel selection on 2 October 2020. Selection is distinct from a prize victory.

  6. Recording guide

    Boys of Love · on the air in Lille

    Nikola Delescluse’s French Paludes segment, linked by the Radio Campus Lille programme of 4 September 2020.

Back to the threads

From the play to the stage.

Stoning and Voices in company records, with the translators, directors and programmes of particular productions.

An empty theatre stage with velvet curtains, wooden chairs and a warm pool of light.
Before the first voice · Imagined chapter painting
  1. Play record

    Stoning

    The work has distinct Amsterdam, San Francisco and London presentation records, each with its own credits.

  2. Production record

    Stoning · ReOrient 2001

    Series One, 27–30 September, San Francisco. Hal Gelb directed; Ana Bayat, Gelb and Lucy Williamson are credited for translation.

  3. Programme guide

    Inside the festival programme

    The printed ReOrient programme supplies the series dates and production credits, with an onward link to the original PDF.

  4. Play record

    Voices

    A separate play in Golden Thread’s archive, with its own account of an answering machine and loneliness.

  5. Production record

    Voices · ReOrient 2000

    Golden Thread records Hal Gelb’s production at EXIT Theater. The listed July–August dates describe the festival run.

  6. Conversation

    A play’s passage into London

    Shahran Tabari’s interview report of 22 August 2002 follows Rabihavi’s discussion of Stoning and its earlier performances.

Back to the threads

The words behind an image.

Different films, different responsibilities: a story outline, assistant direction, a screenplay and a documentary portrait.

A vintage film camera and editing reels sit in a beam of warm light beside blank manuscript pages.
Light through the lens · Imagined chapter painting
  1. Biography

    Words made visible

    A chapter on cinema, video art and collaboration, keeping Rabihavi’s different responsibilities in view.

  2. Screen record

    Chrysanthemums

    Rabihavi’s initial story outline; Fereydoun Jeyrani’s screenplay; Rasul Sadr Ameli’s direction.

  3. Screen record

    Ey Iran

    An assistant-direction credit for Rabihavi. Nasser Taghvai is credited as both director and writer.

  4. Screen record

    The Oak Tree

    Ethan Jahan’s direction and Rabihavi’s screenplay. The source-specific years and running times remain visible.

  5. Programme guide

    The Oak Tree · Zurich programme

    The 2018 festival document records the creative team; its 23-minute entry and 37-minute schedule remain distinct.

  6. Documentary record

    A Theatre of Truth

    David Alamouti is the filmmaker and Rabihavi the subject. The filmmaker and UAL date and runtime differences are retained.

Back to the threads

A writer, in conversation.

The independence of a character, the influence of other writers, and words addressed beyond the book.

An open blank book viewed from the reader’s place beneath a dense green tree canopy.
A page beneath the canopy · Imagined chapter painting
  1. Biography

    What the reader can discover

    The chapter follows Rabihavi’s remarks on craft, difficult characters and room for the reader’s interpretation.

  2. Conversation

    A character’s own life

    Esfandiar Kusheh’s Persian Zamaneh interview, 13 February 2023, around Daniel and His Father.

  3. Conversation

    What a writer can change

    The French Culture Papier questions and answers of 2 November 2020 distinguish the author’s replies from the appended appraisal.

  4. Authored essay guide

    No!

    Rabihavi’s Persian antiwar prose, published by Baang on 28 May 2026. The English title is a finding aid.

  5. Conversation guide

    Radio Nebeshteh · the conversation

    A written orientation to Arash Dabestani’s interview and Keyhan Khanjani’s separately credited literary commentary.

  6. Recording guide

    Radio Nebeshteh · the programme

    The Persian episode was published 20 April 2020. Its 1:37:45 duration belongs to the complete programme.

Back to the threads

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